For the stage adaptation of Philip K. Dick’s Minority Report, I developed key art and campaign concepts for a production exploring the uneasy line between technology, justice and free will.

Set in London in 2050, the story follows neuroscientist Dame Julia Anderton, creator of a pioneering Pre-Crime system designed to detain people before they commit an offence. When she herself is accused of pre-murder, she is forced to run from the very system she created.

The creative challenge was to capture the tension at the heart of the story: can technology predict human behaviour without ultimately controlling it? The artwork needed to feel immediate, intelligent and unsettling, balancing the visual language of science fiction with a recognisable contemporary reality.

Directed by Max Webster, the production pushed the world of Minority Report beyond futuristic spectacle, using the thriller framework to explore surveillance, personal freedom and the consequences of surrendering judgement to technology.

Key Art · Art Direction · Concept Development · Campaign Design · Retouching